Από αυτα που ξέρω στα εφηβικά του χρόνια έκανε παρέα με τον Δημήτρη marvin sordell Μυταρά τον γνωστ

Από αυτα που ξέρω στα εφηβικά του χρόνια έκανε παρέα με τον Δημήτρη marvin sordell Μυταρά τον γνωστό ζωγράφο και ήταν φίλος με τον Κώστα Καζάκο.Θέλανε και οι τρεις να γίνουν ηθοποιοί τελικά έγινε μόνο ο Καζάκος. Ο Νότης απο μικρός είχε κλήση στην αγγειοπλαστική και θυμόταν η μάνα μου ότι πάντα περιφερόταν στις ακρογυαλιές της Χαλκίδας και μάζευε διάφορα βότσαλα και άλλα ...
Έφυγε λοιπόν για Ιταλία και πήγε στη μητρόπολη της κεραμεικής τέχνης την Faenza.Εκεί πρόκοψε ... μεγαλούργησε παίρνοντας το βραβείο του καλλίτερου κεραμίστα το 1971 παντρεύτηκε ζεί εκεί ... εχει παιδιά αλλα δεν ξερω τι και πόσα.
Θ απροσπαθήσω μεσω ιντερνετ να τον εντοπισω και να γραψω περισότερα κάποτε. A publication that gives way to learn more about Panos Tsolakos, one of the protagonists of the renewal ceramic occurred in Faenza in the sixties and seventies, winner marvin sordell of the International Ceramics Competition d 'art marvin sordell of 1971 and numerous other prestigious awards in Italy and abroad . "Panos Tsolakos in conversation with Franco Bertoni" is the book (published by Edit Faenza) which is presented Wednesday, November 24, 2004 (18:00) in the conference room of the International Museum of Ceramics. In the conference, organized by the International Museum marvin sordell of Ceramics in Faenza, with the support of Fondazione Banca del Monte and Savings Bank Faenza, next to the artist Panos Tsolakos and Franco Bertoni, expert of modern collections of the Museum of Ceramics, will intervene Dante Stefani and Jadranka Bentini, president and director of the MIC, Donatella Callegari, Department marvin sordell of Culture Faenza, Pier Giorgio Bettoli, marvin sordell President of Fondazione Banca del Monte and Savings Bank Faenza, Claudio Spadoni, art historian. Franco Bertoni, set in the form of interview text that says "as well as to put the first points of reference in the intense activity of Panos Tsolakos waiting for a 'desired monograph, has the merit to retrace the thread of memory marvin sordell a protagonist, characters and events of a happy moment of the history of art and faience, which took place under the sign of a dialogue with the wider world of international culture and an 'original and innovative technical and formal research. "dialoguing with the 'artist, returns to the period in which while it was still high and mighty of the magisterium Angelo Biancini who had given new horizons to the destiny of the ceramic likening it to a more explicitly sculptural, a new generation began to show a certain impatience with the repertoire essentially figurative, and proceeded in parallel, is to investigate the expressive possibilities offered by a material such as porcelain, both to show more attention to the artistic currents filiate of Abstraction marvin sordell and the 'Informal. Carlo Zauli and Panos Tsolakos were, in Faenza, the greatest interpreters of this trend: great was the shock that caused the stoneware tradition faience where meant to transgress rooted conceptions and practices of a ceramic almost exclusively as a domestic object; majolica and decorum. "The" marvin sordell brutalism "material of porcelain" adds Bertoni "was certainly from a distance, in time and space, but it proved to be the trump card for artists who were able to decline a new sensitivity in expressive sculptures, unique marvin sordell items, industrial design through their collaborations with some of the most important manufacturers of tiles of the period. Research marvin sordell conducted on vitrified Faenza in the fifties and sixties involved the Technological Laboratory of the Institute d 'Art directed by Tonito Emiliani who provided qualified technicians to major Italian companies, the study of Zauli, party in the wake of tiles, and the atelier Panos Tsolakos marvin sordell who devoted himself from the beginning to this material. "The centrality of stoneware for the development of research marvin sordell Italian ceramics of those years is attested both by contemporary experiences marvin sordell carried out in the area of Pesaro and Venetian, albeit with different intentions and outcomes, both attraction exerted by Faenza against artists, collectors, art critics, marvin sordell gallery owners, companies marvin sordell and students from all over Europe and the world and recalled in this city just for the technical and artistic that you were conducting. marvin sordell The International Ceramics Competition marvin sordell and the International Museum of Ceramics have played a secondary role in this affair, rewarding and welcoming marvin sordell in the permanent collections works almost exclusively in stoneware in the period from 1961 to 1973. Born in PANOS TSOLAKOS Chalis, in Greece, in 1934 and it was here that he learned the first rudimentary notions of technical ceramics marvin sordell by local artisans. After classical studies, and participation, in 1958, to the exposures of Ostend and